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  • Краусс Розалинд. "Путешествие по Северному морю": искусство в эпоху постмедиальности
    "Путешествие по Северному морю": искусство в эпоху постмедиальности
    Краусс Розалинд
    Небольшая статья ведущего историка и теоретика современного искусства Розалинд Краусс (род. 1941) о бельгийском художнике Марселе Бротарсе (1924-1976) представляет собой парадоксальный опыт: констатируя на примере Бротарса и заодно с ним конец владычества медиума в искусстве и наступление постмедиальной эпохи, автор вместе с тем находит в творчестве своего героя зацепку для выдвижения обновленного и, возможно, не менее действенного, чем прежде, понятия медиума.
  • Бюинссон Сильви, Варно Жанин. "Шальные годы" Монпарнаса. Живопись и графика
    "Шальные годы" Монпарнаса. Живопись и графика
    Бюинссон Сильви, Варно Жанин
    Издание подготовлено к выставке «”Шальные годы” Монпарнаса» (29 сентября – 29 ноября 2015), продолжившей тему экспозиции «Парижская школа» (12 октября 2011 – 10 января 2012) и посвященной творчеству двух представителей этой школы – графиков и живописцев Жюля Паскина (1885–1930) и Леонара Фужиты (1886–1968). В каталоге представлено около 100 их произведений из Музея современного искусства города Парижа, Национального музея современного искусства (Национального центра искусства и культуры имени Жоржа Помпиду, Париж), Общества друзей Пти-Пале (Женева), ГМИИ им. А.С. Пушкина, других крупных музеев и частных собраний Франции, Бельгии, Швейцарии и России. Также в каталоге опубликованы тексты Жанин Варно (дочери художника, критика и писателя Андре Варно), Альбера Рамбера и Бертрана Лоркена (знатоков творчества Паскина), Сильви Бюиссон (автора каталога-резоне произведений Фужиты), а также статьи отечественных искусствоведов Андрея Толстого и Надежды Плунгян, посвященные творчеству московских современников Паскина и Фужиты – художников группы «13». Тексты дополнены фотографиями и другими архивными материалами.
  • Морозова Ольга Владиславовна. 100 шедевров европейской живописи
    100 шедевров европейской живописи
    Морозова Ольга Владиславовна
    В альбом вошли самые знаменитые произведения западноевропейской живописи, созданные на протяжении пяти веков (XV - начало XX века), от изысканных, утонченных картин Сандро Боттичелли до самобытных, ярких образов Густава Климта. Репродукции картин расположены в хронологическом порядке и объединены по национальным школам, что позволяет лучше узнать об этапах развития живописи в разных странах Западной Европы. Для широкого круга читателей.
  • Driben Peter. 1000 Pin-Up Girls
    1000 Pin-Up Girls
    Driben Peter
    "Girls, Gags & Giggles," ran publisher Robert Harrison's recipe for dishing up pin-up to the American male. Men loved his tasty dishes, a mixture of strippers and starlets dressed in outfits so fetishistic no one noticed they were never nude. While other magazines delivered the girl next door, Harrison's publications banked on bad girls in satin and leather, fishnet stockings, and six-inch heels performing slapstick stunts straight from the burlesque stage. Harrison lured his readers in with vibrantly painted covers by top pin-up artists Earl Moran, Billy DeVorss and, most famously, Peter Driben. This Bibliotheca Universalis edition celebrates this eye-catching candy with every single cover from Beauty Parade, Wink, Titter, Eyeful, Flirt, and Whisper, from 1942 to 1955, as well as interior spreads, featuring, among others, a budding Bettie Page. In an age when far more graphic material is the norm, 1000 Pin-Up Girls celebrates an era of pin-up and pulp style to fuel your erotic imagination.
  • Шенрок Вильгельм. 120 дней любви. Музей эротики Вильгельма Шенрока
    120 дней любви. Музей эротики Вильгельма Шенрока
    Шенрок Вильгельм
    Рисунки Вильгельма Шенрока в его альбоме "120 дней любви" воспроизводят и варьируют мотивы самых известных картин Возрождения, эпохи барокко и классицизма и отчасти авангарда начала XX века. Промискуитет эпох и стилей оборачивается и промискуитетом в буквальном смысле этого слова: персонажи из разных картин занимаются друг с другом сексом. В определенном смысле художник дискредитирует музейную картину, снабжая ее шокирующими деталями. Он снимает с персонажей ореол "человечности", "культурности", "социальности" - и в то же время рука Вильгельма Шенрока бережна и нежна, изящна и трепетна в тех оргиях животной телесности, которые разыгрываются в его воображаемом музее. Альбом снабжен двумя предваряющими текстами искусствоведов А. Якимовича и В. Турчина, которые объясняют художественный и исторический контекст данной книжной акции. Каждый рисунок сопровождается текстом Вильгельма Шенрока - тут и его философские размышления на "вечные темы", и обдумывание высказываний знаменитых людей прошлого, и просто выбранные художником цитаты из культовых книг. Альбом предназначается всем сторонникам открытого искусства и непредвзятого взгляда на мир.
  • Морозова Ольга Владиславовна. 500 шедевров европейской живописи
    500 шедевров европейской живописи
    Морозова Ольга Владиславовна
    В альбоме представлено 500 выдающихся, знаковых для всей мировой культуры произведений европейского изобразительного искусства XIII - первой половины XX века, от творений великого реформатора живописи Джотто ди Бондоне, открывшего период европейского Возрождения, до работ гениального мастера сюрреализма Сальвадора Дали. Для широкого круга читателей.
  • Громова Екатерина Владимировна. 500 шедевров импрессионистов
    500 шедевров импрессионистов
    Громова Екатерина Владимировна
    В альбоме представлено 500 самых знаменитых картин не только лидеров импрессионизма - французских живописцев Клода Моне, Пьера Огюста Ренуара, Камиля Писсарро, Альфреда Сислея, Эдгара Дега, Берты Моризо, Гюстава Кайботта, но и работы художников других стран, в том числе русских мастеров, испытавших влияние этого пленительного стиля изобразительного искусства. Для широкого круга читателей.
  • Sato Tomoko. Alphonse Mucha
    Alphonse Mucha
    Sato Tomoko
    With his instantly recognizable decorative style, Czech artist and Art Nouveau master Alphonse Mucha (1860-1939) defined the look of the fin-de-siecle. In evocative shades of peach, gold, ochre, and olive, his seductive compositions of patterns, flowers, and beautiful women became paradigms of the Belle Epoque years. Mucha's work permeated illustration, posters, postcards, and the advertising designs of his day. His striking posters of star actress Sarah Bernhardt were particularly famous. Alongside this delicate decorative work, Mucha also harbored strongly felt political ideas. With his monumental cycle The Slav Epic, he expressed his staunch support for Pan-Slavism, promoting the political independence of the Czech and Slavic nations from the Austro-Hungarian Empire. Compiled in association with the Mucha Foundation, this book presents key works and introduces the full reach of Mucha's uvre from patterned decoration to his book illustrations, posters, photographs and monumental paintings.
  • Honnef Klaus. Andy Warhol
    Andy Warhol
    Honnef Klaus
    Andy Warhol (1928-1987) is hailed as the most important proponent of the Pop art movement. A critical and creative observer of American society, he explored key themes of consumerism, materialism, media, and celebrity. Drawing on contemporary advertisements, comic strips, consumer products, and Hollywood's most famous faces, Warhol proposed a radical reevaluation of what constituted artistic subject matter. Through Warhol, a Campbell's soup can and Coca Cola bottle became as worthy of artistic status as any traditional still life. At the same time, Warhol reconfigured the role of the artist. Famously stating "I want to be a machine," he systematically reduced the presence of his own authorship, working with mass-production methods and images, as well as dozens of assistants in a studio he dubbed the Factory. This book introduces Warhol's multifaceted, prolific oeuvre, which revolutionized distinctions between "high" and "low" art and integrated ideas of living, producing, and consuming that remain central questions of modern experience.
  • Another World. Dali, Magritte, Miro and the Surrealists
    Another World. Dali, Magritte, Miro and the Surrealists
    The Scottish National Gallery of Modern Art's collection of Dada and Surrealism is one of the best in the world. This catalogue provides a rich and comprehensive survey of this collection for the first time. There are detailed entries on more than 150 works, ranging from celebrated paintings by Dali, Miro and Magritte, to the extraordinary but little-known works of the British Surrealists. The catalogue also includes an essay on the history of Dada and Surrealism and another on the origins of the Scottish National Gallery of Modern Art's collection.
  • Поттер Патрик. BANKSY. Уровень угрозы допустимый. Если нет вы скоро об этом узнаете
    BANKSY. Уровень угрозы допустимый. Если нет вы скоро об этом узнаете
    Поттер Патрик
    Люди либо любят эту книгу, либо ненавидят ее, либо никогда о ней не слышали. В ней вы найдете уникальную коллекцию фотографий работ Бэнкси. Если читателю этого недостаточно, поверьте, текст здесь тоже есть. Если вы никогда не слышали о Бэнкси, эта книга - все, что вам понадобится, чтобы мастерски поддержать беседу в ближайшем пабе. Когда Бэнкси начал рисовать, политический ландшафт выглядел мрачно. К счастью, сейчас он еще хуже. Поэтому яркие и агрессивные политические работы Бэнкси не теряют актуальности. Мы принимаем удар, представляя его искусство в контексте тех или иных мировых событий, к которым он не остался равнодушным. К великому огорчению всевозможных академий искусств, похоже, Бэнкси останется самым заметным художником Британии. Его способность привлекать внимание и доносить смысл своего послания (часто скрытого) сделала бы из него отличного пиарщика. Потеря для рекламного мира, он стал приобретением человечества. Составитель: Гэри Шоув.
  • Lambert Gilles. Caravaggio
    Caravaggio
    Lambert Gilles
    Michelangelo Merisi da Caravaggio (1571-1610) was always a name to be reckoned with. Notorious bad boy of the Italian Baroque, the artist was at once celebrated and controversial, violent in temper, precise in technique, a creative master, and a man on the run. Though famed for his dramatic use of color, light, and shadow, it was above all Caravaggio's boundary-breaking naturalism which scorched his name into the annals of art history. From the dirtied soles of feet to the sexualized languor of bare flesh, the artist allowed even sacred and biblical scenes to unfold with a startling, often visceral humanity. This vivid pictorial world was accompanied by an equally intense personal biography, scored by gambling, debts, drunken brawls, and even a murder charge. This book brings together more than 50 of Caravaggio's most famous and revolutionary works to explore how and why this artist is now considered the most important painter of the early Baroque period and one of the defining influences of art history, without whom Ribera, Vermeer, Rembrandt, Delacroix, Courbet, and Manet could never have painted the way they did.
  • Heinrich Christoph. Claude Monet
    Claude Monet
    Heinrich Christoph
    Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.
  • Evans Mark. Constable's Skies. Paintings and Sketches by John Constable
    Constable's Skies. Paintings and Sketches by John Constable
    Evans Mark
    A beautifully designed gift book devoted to John Constable’s studies of skies. John Constable is one of the greatest painters of the English weather. His depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings in which the landscape beneath the ever-changing sky is completely absent. Written by Mark Evans, a leading authority on the work of John Constable, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career.
  • Masters Christopher. Dali
    Dali
    Masters Christopher
    Salvador Dali (1904-89) is one of the most controversial and paradoxical artists of the twentieth century. A painter of considerable virtuosity, he used a traditional illusionistic style to create disturbing images filled with references to violence, death, cannibalism and bizarre sexual practices, from the extraordinary fluid watches in The Persistence of Memory to the gruesome monster in Soft Construction with Boiled Beans and the fetishistic lobster in the famous Lobster Telephone.
  • Schiebler Ralf. Dali. The Reality of Dreams
    Dali. The Reality of Dreams
    Schiebler Ralf
    Now available again, this fascinating look at Dali explores the forces that shaped the life and works of one of the modern art world's most inscrutable and misunderstood figures. Concise yet comprehensive, this elegant volume follows Dali's artistic development from the 1920s to his death in 1989. Accompanied by brilliant reproductions and the artist's own words, it offers detailed analyses of his most important paintings based on the theories of two men who deeply influenced his thinking: Sigmund Freud and his protege, Otto Rank. What emerges is a picture of an artist whose pursuit of self-knowledge provides fascinating and important insights into the inner workings of the creative imagination.
  • Bischoff Ulrich. Edvard Munch
    Edvard Munch
    Bischoff Ulrich
    A hairless, ghostly figure on a bridge. The sky orange-red above him. His hands raised to his ears, his mouth wide in a haunting wail. In painting The Scream, Edvard Munch (1863-1944) created Mona Lisa for our times. The shriek of his iconic figure reverberates around the world, its echo resounding in the work of Andy Warhol, Jasper Johns, Martin Kippenberger, Marlene Dumas, and Tracey Emin. This introductory book surveys Munch's staggering capacity for psychodrama in The Scream and beyond. With rich illustration, it looks at the lurid, dark, and deeply modern visions that made up the artist's response to relationships and emotions. These compelling images, regarded by the artist himself as a means of "free confession," remain as magnetic today as they were on the brink of modernism.
  • Kettenmann Andrea. Frida Kahlo
    Frida Kahlo
    Kettenmann Andrea
    The arresting pictures of Frida Kahlo (1907-54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art. In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid real-surreal language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which Kahlo shared with her husband Diego Rivera. The artist described her paintings as "the most sincere and real thing that I could do in order to express what I felt inside and outside of myself." This book introduces the rich body of Kahlo's work to explore her unremitting determination as an artist, and her significance as a painter, feminist icon, and a pioneer of Latin American culture.
  • Vaughan William. Gainsborough
    Gainsborough
    Vaughan William
    Gainsborough is one of the most appealing artists of the eighteenth century. Renowned for such elegant portraits as The Blue Boy and Countess Howe, he also pioneered a new form of landscape with a moody sensibility that prefigured the Romantic movement. He was a brilliant draftsman, and his art is full of inventiveness and visual delight. William Vaughan draws on recently discovered material to provide a fresh perspective on both the life and art of this master. He shows how closely Gainsborough's innovative manner can be connected to social and political developments in Britain, in particular the celebration of original genius in a time of burgeoning entrepreneurial commercialism. Above all, he demonstrates how, beneath the artist's charm, there lay a bedrock of shrewd observation and pictorial intelligence that gives his work a value for all time.
  • Stabenow Cornelia. Henri Rousseau
    Henri Rousseau
    Stabenow Cornelia
    Henri Rousseau (1844-1910) was a clerk in the Paris customs service who dreamed of becoming a famous artist. At the age 49, he decided to give it a try. At first, Rousseau's bright, bold paintings of jungles and exotic flora and fauna were dismissed as childish and simplistic, but his unique and tenacious style soon won acclaim. After 1886, he exhibited regularly at Paris's prestigious Salon des Independants, and in 1908 he received a legendary banquet of honor, hosted by Picasso. Although best known for his tropical scenes, Rousseau, in fact, never left France, relying on books and magazines for inspiration, as well as trips to natural history museums and anecdotes from returning military acquaintances. Working in oil on canvas, he tended toward a vibrant palette, vivid rendering, as well as a certain lush, languid sensuality as seen in the nude in the jungle composition The Dream. Today, "Rousseau's myth" is well established in art history, garnering comparison with such other post-Impressionist masters as Cezanne, Matisse, and Gauguin. In this dependable TASCHEN introduction, we explore the makings of this late-blooming artist and his legacy as an unlikely hero of modernism.

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